Eunice made so much progress that in 1943, when she was 10, she gave her first piano recital at the town library. There she not only experienced her first applause, but also had her first encounter with racism: during the recital her parents were removed from the first row to accommodate some whites. This episode was a traumatic experience for her and may be the origin of her commitment to the fight for freedom and civil rights. 

With the financial help of some local supporters, Eunice left North Carolina in 1950 to continue her musical education at the Juilliard School of Music in New York, the same school that Miles Davis attended. After New York her family moved to Philadelphia. She tested for a scholarship at the prestigious Curtis Institute in Philadelphia but was rejected, ostensibly for musical reasons, but probably for her color. 

Feeling discouraged, in order to support herself and pay for further lessons she became an accompanist for a singing teacher. Later, in 1954, she took a job as a singer-pianist in the Midtown Bar and Grill in Atlantic City, adopting the stage name of Nina Simone. Nina (niña means "girl" in Spanish) from a pet name that a boyfriend gave her, and Simone (from the French actress Simone Signoret) for its dignified sound. 

It was at Midtown Bar, where Nina Simone sang, played and improvised, that her career took off. Subsequently she played in several Philadelphia clubs. Recognized as a talented pianist, she was given a recording session with Bethlehem Records in 1957; in this session she records 14 tracks. 

Simone's first album Jazz as played in an Exclusive Side Street Club (11 tracks), published in 1958 and by then also know as Little Girl Blue, was a great success, first in Philadelphia and New York and then in the whole US. The single released from that recording (featuring "I Loves You Porgy" and "He Needs Me") became a national rhythm & blues (placing 13th) hit in the summer of 1959, selling over a million copies. 

(Thirty years later, in 1987, "My Baby Just Cares for Me" another selection from the same album, was adopted as the theme for a British television advert for Chanel No 5 perfume, and reached the 5th place on the English pop charts.) Bethlehem make use of the remaining three tracks recorded by Nina for the collective album And Her Friends, published when Nina have already signed with Colpix. 

Thanks to the success of her first recordings, in 1959 Simone signed with Colpix (Columbia Pictures Records) a collaboration that lasted until 1964. Nina recorded 10 albums while signed to Colpix: six studio and four "live" albums. She recorded some songs of Columbia film soundtracks (including "Wild Is The Wind", "Sayonara", "Samson and Delilah") as well as a new version of the Bethlehem hit "I Loves You Porgy". 

In 1961 she recorded the traditional song "The House of the Rising Sun". The same song was recorded by Bob Dylan in his debut album, issued in March 1962 and subsequently by the Animals in 1963. In the summer of 1964, "The House of the Rising Sun" by the Animals was at the top of the American and English charts, on the eve of the band's US tour (part of the "British invasion"). 

In 1961 Nina marries Andy Stroud, a New York detective and in 1962 their daughter Lisa Celeste Stroud is born. 

In 1964, Nina Simone began her association with Philips, a Mercury subsidiary. This collaboration lasted for three years during which Nina recorded seven albums. One of the first songs recorded during the Philips period is "Don't Let Me Be Misunderstood", from then associated with her name. The songs is covered by the Animals in 1965, the same year where Nina publish "I Put a Spell on You", a 1956's song by Screamin' Jay Hawkins. Also this song is immediately covered (August 1965) by the Alan Price Set, the group founded by organist Alan Price after his departures from Animals. 

During her association with Philips, Nina take the way to the protest song also (after the jazz and black periods) and wrote "Mississippi Goddam!". This is her first song of protest, written after the murders of Medgar Evers in Mississippi (June 1963) and four black schoolchildren in Alabama (September 1963). 

In 1966 Nina switches to RCA (she will stay until 1974: to date her last long-term affiliation with an American label) a deal negotiated by her husband who acts as her manager and to whom some compositions are credited. From the summer of 1968 through the end of 1969, "all of her recordings were produced by her husband-manager, although we can assume that it was really Nina who was making the final selections of repertoire and essentially masterminding the sessions" according David Nathan.

While at RCA Nina records nine albums and some of her most popular songs. Her version of "Ain't Got No/I Got Life", a medley from the 60s musical Hair, gets N. 2 in UK and her soul version of "To Love Somebody" by the Bee Gees get in the Spring of 1969 in the Top 10 British hit. "To Be Young, Gifted And Black", inspired by a play of the same name by Lorraine Hansberry, a friend of Nina, is recorded by Aretha Franklin in 1972. 

Embittered by racism, Nina renounced her homeland in 1969 and became a wanderer, roaming the world. She lived in Liberia, in Barbados, Switzerland, France, Trinidad, the Netherlands, Belgium and UK at various times. In 1970 she and Stroud split up, and Nina attempt to manage herself and work with her brother Sam Waymon. In 1974 she leaves RCA. 

In 1978 Nina was arrested, and soon released, for withholding taxes in 1971-73 in protest at her government's undeclared war in Vietnam. The same year she make the LP Baltimore for the CTI label and in 1982 the LP Fodder on my Wings for a Swiss label. In 1985 she records Nina's back and Live and Kickin in US.

In 1987 her previously-mentioned European success with "My Baby Just Cares For Me" brought Nina back into the public eye: her music was featured in 1992 movie Point Of No Return, with the lead character using Nina as inspiration.  The same year she records Let It Be Me at The Vine Street Bar & Grill in Hollywood for Verve Records.

She moved to the southern French town of Bouc-Bel- Air near Aix-en-Provence in 1993. 

A protest singer; a jazz singer; a pianist; an arranger and a composer, Nina Simone is a great artist who defies easy classification. She is all of these: a jazz-rock-pop-folk-black musician. In fact, we can find her biography in jazz, rock, pop, black and soul literature. Her style and her hits provided many singers and groups with material for hits of their own. 

The official biography on the official web site.

The Penguin Encyclopedia of Popular Music has an entry about Nina. You can buy this book by Amazon.  

At Biography.com (includes the Cambridge Biographical Encyclopedia) there is a short entry about Nina.  

The All-Music Guide (biography, discography, and more).  

The biography at CDNow.  

The short biography written by Roger Nupie for the International Dr Nina Simone Fanclub members.  

A biographic article on the Michigan Chronicle, by Steve Holsey 

The biography on Kataweb (Italian)

The American edition is published by Da Capo Press, New York and Pantheon Books, New York. See some reviews and the Herb Boyd's review on Black Enterprise. You can buy this book by Amazon.  

The French translation is Ne me quittez pas published in Paris by Presses de la Renaissance, 1992.  

The German translation Meine schwarze Seele: Erinnerungen includes a discography compiled by Manfred Scheffner. The book is published in Hamburg by Hoffmann und Campe Verlag, 1993.  

She Bop, The definitive history of women in rock, pop and soul, by Lucy O'Brien, Penguin Books, has a section (5 pages) about Nina. Buy this book by Amazon.  

Motel Chronicles, the 1982 book by Sam Shepard on which Wim Wenders based his film Paris, Texas, has a passage about Nina Simone. Buy this book by Amazon.  

The Sound of Soul, a 1969 book by Phyl Garland, has a 22-page chapter dedicated to Nina; there is an interview also. This book is out of print, but you can try to buy it by Amazon.  

See also the Interviews page and the Information Link page of this web site.  

(German) The Rock Lexicon by S. Schmidt-Joos and B. Graves (1973) has an entry about Nina.  

(Italian) There is an entry about Nina Simone in each of the three volumes of the Enciclopedia Rock Arcana, devoted respectively to 60s, 70s and 80s.  

(Italian) The personality and artistry of Nina Simone is described on two pages in the book Rock: 500 album da collezione by R. Casalini and P. Corticelli published by Mondadori.  

(Italian) In its issue no. 32, Blues Collection devoted 12 pages with text and photos to Nina Simone. This issue also came with a CD.  

(Italian) There is a short entry about Nina Simone in the Dizionario Jazz by Carles, Clergeat and Comolli published by Curcio.  

(Italian) In the book Le Grandi Voci della Musica Americana, Luciano Federighi (1997) has a page about Nina.  

(Italian) In the booklet La Musica Jazz Franco Fayenz ranges Nina in the 15 most representative voices of jazz.