| New York, 1957 Studio session | ||
| Al "Tootie" Heath, drums -- Jimmy Bond, bass -- Nina Simone, vocal, piano | ||
| Show records | ||
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African Mailman
(Instrumental) Unknown
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Central Park Blues
(Instrumental) Nina Simone
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Don't Smoke in Bed
Willard Robison
-- no bass, no drums
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For All We Know
Coots, Lewis
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Good Bait
(Instrumental) Tadd Dameron, Count Basie
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He Needs Me
Arthur Hamilton
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He's Got the Whole World in His Hand
Traditional
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Little Girl Blue
Richard Rodgers, Lorenz Hart
-- no drums
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Love Me or Leave Me
Walter Donaldson, Gus Kahn
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Mood Indigo
Barney Bigard, Duke Ellington, Irving Mills
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My Baby Just Cares for Me
Gus Kahn, Walter Donaldson
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My Baby Just Cares for Me
Gus Kahn, Walter Donaldson
-- Extended version
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Plain Gold Ring
Earl S. Burroughs
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I Loves You Porgy
Ira Gershwin, DuBose Heyward, George Gershwin
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You'll Never Walk Alone
Richard Rodgers, Oscar Hammerstein II
-- no vocal
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| In 1957 Sid Nathan, owner of the New York based Bethlehem Records, offered Nina recording some tracks. In the recording session, happened perhaps in December 1957, Nina recorded 14 tracks in 14 hours. Eleven tracks are on the first LP Little Girl Blue published in the middle of 1958. Two tracks, "I Loves You Porgy" and "He Needs Me" were also published as single in the Summer of the same year, reaching the 13th place on R&B charts. In the beginning of 1959 Nina signed with Colpix (Colombia Pictures Records) and started the recording sessions. Before the publication of the first Colpix album, Bethlehem released And Her Friends that included the three tracks not yet published, plus "I Loves You Porgy", as well as four other tracks by Chris Connor and four others by Carmen McRae. "I went into the studio and recorded my songs exactly as I always played them, so when you listen to that Bethlehem album you're hearing the songs played as they were at the Midtown Bar. The only difference is that you don't get to hear the improvisations that I wove around those numbers in my live set. "I Loves You, Porgy" was the song I sang for Ted; "For All We Know" was my usual closing number; "You'll Never Walk Alone" and "He's Got the Whole World in His Hands" I'd sung all my life; and "Plain Gold Ring" was a song I learned from the harpist Kitty White. I made up the arrangement of "Little Girl Blue" and "Good King Wenceslas" one night at the Midtown. I learned "He Needs Me" from Peggy Lee. "African Mailman" was made up on the spot in the studio and recorded in one take. "Central Park Blues" was the same; I called it that because we'd just been out into Central Park to shoot publicity photos for the album cover." (From Nina's autobiography.) |
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Comments to Mauro Boscarol |
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